Showing posts with label music law. Show all posts
Showing posts with label music law. Show all posts

Saturday, May 23, 2009

RIAA on the run?

from slashdot:

"We talked about Charlie Nesson of Harvard Law School before, and it may not have been known to you, but he is backing former student and Jammie Thomas' new lawyer, K.A.D. Camara. Ars is reporting that Nesson is upping the charges against the RIAA. Not only is file-sharing fair use, but the $100,000,000 the RIAA has collected through fear is due back to those wrongly accused. He's also increasing the number of fronts he's fighting. On Camara's website, he indicates that in another case, Brittany English (pro bono), they 'are asking the courts to declare that statutory damages like these — 150,000:1 — are unconstitutional and that the RIAA's campaign to extract settlements from individuals by the threat of such unconstitutional damages is itself unlawful, enjoin the RIAA's unlawful campaign, and order the RIAA to return the $100M+ that it obtained as a result of its unlawful campaign.'"

Sunday, July 20, 2008

stop copyright infringement; destroy judicial system and privacy

I Don't Believe in Imaginary Property brings us an analysis of several organizations' goals for the Anti-Counterfeiting Trade Agreement, which we've discussed previously. In particular, he points out the anti-privacy views of the Business Software Alliance: "While the ACTA itself is not public, the US Trade Representative has at least released the ACTA comments. While many of them are to be expected, such as the RIAA & co. wanting copyright filters, one item on the BSA's wish list really stands out: 'In a number of European countries one of the biggest impediments to efforts by rights holder to enforce their IP rights on the Internet is the overbroad interpretation of privacy laws by some European authorities.' They want ACTA to 'fix' that by neutering the privacy laws. Given the BSA's other questionable activities, it couldn't hurt to tell their member companies what you think of their participation. After all, organizations like the BSA exist in part to shield their members from bad PR." Full documents of comments from the various organizations are available at Public Knowledge.

Friday, September 21, 2007

Vampires and the RIAA

Ever notice how vampires operate? They suck your blood all the while making you think that they are doing you the favor.

It really does appear that the RIAA and its net representative, Sound Exchange, operate under the same principle.

The RIAA has the Copyright Royalty Board under its thumb and appears to dictate web policy to that board, the RIAA tells webcasters what they will pay or else they go to jail or get sued. This seems to be coercion to me.

So, in effect, the RIAA sets royalty payments unilaterally, sucks the funds from the webcasters and makes them think that the RIAA did them the favor.

If the RIAA had its way, there'd be no webcasting at all. Each note of music would have to be bought from one of the RIAA's constituent members. No more free music of any kind, no more fair use would exist, nothing without payment. Pay through the nose, then give up your nose.

One thing that webcasters forget as victims of this policy, they could put a stop to it fast. Just stop webcasting music. When the public starts complaining to Congress to do something about it, perhaps the RIAA can be controlled by reason and not avarice.

Victimizers often forget that if they destroy the victim, their victimization ceases and they have no source left from which to suck.

Unfortunately, the so-called musical performance artists contribute to this victimization by profiting from the RIAA's activities, whether vicariously or otherwise. You can't take your profits with a clear conscience when the agency collecting for you is known to be set on destroying the source of those profits.

Musicians can create music without an audience, but do they really want that?

Just some thoughts.

BRIAN LEE CORBER, CORBERLAW@AOL.COM, Panorama City, California 91412-4656, 818-786-7133.